Nachtwey carefully arranges his expansive work to reflect the element that has always tied it together, humanity, in its most raw and unyielding forms.

Renowned sociopolitical photojournalist Ed Kashi captures fleeting junctures in time, moments when the whim of an instant impacts everything nearby.

In some sense, challenging ourselves to describe and deconstruct something in the most basic of forms is the only way to truly understand a subject.

Dawoud Bey and Carrie Mae Weems’ In Dialogue brings the overlooked to center stage through photography that challenges viewers’ perspectives and encourages empathy.

Being a Black artist himself, Gary Burnley expresses the inequities and hardships of Black Americans by replacing historical portraiture subjects’ faces with pieces from photographs of present-day Black men and women’s.

Dayanita Singh wants her work to be able to be moved and adjusted in spaces so that a whole other element is added, one that is reflective of the fact that the artist is living these moments.

Danish photographer Tine Bek’s book, “The Vulgarity of Being Three-Dimensional,” confronts viewers in a manner that is both unapologetic and thought-provoking.

It was on April 6, 1909 that the race reached its anticipated finish and the world exhaled when American explorer Robert E. Peary (1856-1920) claimed to have set foot on the North Pole.

Celebrated landscape photographer, Michael Kenna, followed this human inclination and studied his past in his latest exhibition, Northern England 1983-1986, which features his never before printed photographs taken over forty years ago of the varying parts of Northern England he grew up around.

Curator Branka Stipančić dissects this artistic phenomenon of ”we all have to start somewhere” through the display of her exhibition From Scratch, featuring works of minimalist artists such as Mangelos, Julije Knifer, Július Koller, Goran Trbuljak, and Mladen Stilinović.

L.A.-based artist Anthony Lepore’s latest exhibition, Time’s a Taker, features a series of photographic images that tactfully unveil the effects of time, using various objects displayed on wood frames as the subject of this experimentation.

Drake alters viewer’s perceptions of both femininity and art in general through her exhibition’s inclusion of her series Knit Club and Isolation Therapy presented at the Yancey Richardson Gallery.

For a long time, portraits of women only highlighted subjects’ exterior and physical features, rarely giving women a chance to share their other great attributes as well. American documentarian Berenice Abbott (1898-1991) took it upon herself to change this narrative.

Following a two-year hiatus from in-person events, the International Center for Photography hosted its annual Photobook Fest from May 21-22, 2022, at the new ICP building at Essex Crossing on Manhattan’s Lower East Side.